Maynard Dixon (1875-1946) was a 20th century American artist whose work focused on the American West. WE THREE are fans and one day while we were “retreating” in southern Utah we saw a brochure advertising a tour of Dixon’s home and studio in Mt. Carmel. Goodness! It wasn’t that far away. So we zipped on over. Found out that a knowledgeable and generous couple, Susan and Paul Bingham, had established a mecca in the desert for us Dixonites. http://www.thunderbirdfoundation.com/ In 1938 Dixon had written to a friend: “Big news is we are going to quit Calif. & build us a log house in Utah, far from any large town. Mormons are simple honest farming people. We like them. Beautiful country, but cold in winter. Don’t know if we can make a living there, but take a gamblers chance.” For one week, each year, for the next six years, WE THREE retreated to his “log house” and under the influence of Dixon’s artistic spirit, we practiced the art of painting.
What influences what we become? Who do we travel with? How are we affected by what we see and experience? It is insightful for me, having arrived at my 60th decade, to have plenty of history behind me to look back on.
Now 16 days away from our “WE THREE”, three woman art show reception on June 13 in Logan, Utah, my “looking back on” continues…
WE THREE: Barbara Edwards, Dilleen Marsh, and Roxane Pfister are three weeks away from our three woman art show at http://loganfineartgallery.com/. As I am “assembling and retrieving” art…I am thinking of “retreating”. Lol, not as in “escaping”, because I am thrilled and honored to show work with my dear friends. But in “remembering”. As I said before, WE THREE have gotten together more than 20 times over the years to RETREAT: a period of seclusion, esp. for spiritual and artistic renewal. Just wanted to share some of those memories…
Gratitude. Being grateful assists me to be healthier and happier . . . especially during difficult times. I don’t remember my exact thoughts when this idea of gratitude came to mind, but I am cultivating a practice of jotting down my visual impressions when they come into my journals or along the edges of my engagement calendars – and this one became a doodle. Women working in a field. I spent a part of my youth on a farm. We grew wheat, hay, and barley. My mom had three gardens growing at the same time. I was not a diligent worker in the field. Rather, I liked to pause and daydream. Loved the sunsets and the wind through the wheat. This doodle kept cropping up (lol, no pun intended). It needed to be painted.
The painting is currently at the framers getting fitted for a debut at the Springville Spring Salon. I am definitely a bi-polar artist. I paint impressionistic realism as well as stylized concepts. This one falls in the stylized concept category and is signed DHMarsh.
WE THREE artists began to cement our friendship in 8th grade. It was 1966. Congregating under the influence of our art teacher, Bob Whitney, in Ucon, Idaho, Barbara Summers, Roxane Mitchell, and me, Dilleen Humphries, took those first steps on an art trek together that has spanned 5 decades. In high school WE THREE were part of five founding members of Bonneville High School’s Art Society. Drawing and sculpting and only occasionally painting were our daily disciplines. We were well versed on the life of Michaelangelo. Unusual and fortunate for a high school art experience. Then college. Rox took off to Ricks College in Rexburg, Idaho. Barb and I settled at USU in Logan, Utah in the fall of 1969. Two years later Rox joined us at USU. Under the tutelage of Glen Edwards and Jon Anderson we began to paint. At first it was in acrylics…then occasionally oils. In 1974 Rox and I drove off (actually, my sister, Deon, was driving-it was her car) across the southwest desert to the “art” gold of California. We were going to be famous illustrators! Barb married our USU teacher, Glen. Years, marriage, and children later WE THREE are now all living in Utah. After high school and college how do you stay in touch with your friends? Remember, this is way before FACEBOOK or even the internet. We’d occasionally get together, drop in for a visit, pair up and do a workshop, or go plein aire painting… and then we began “retreating”. RETREAT: a period of seclusion, esp. for spiritual (and artistic) renewal. Our first ALL THREE retreat was in 1988. We went to the Teton mountain range to paint. Since then we have “retreated” about 20 times. Logan Fine Art Gallery has extended an invitation to WE THREE to exhibit as a three woman show in June 2014. What is the value of traveling the art “road less traveled” with friends? We could give you an earful…”
This idea occurred to me while in church. Someone was speaking about how whatever is in our heart comes out of our mouth. Or who we are INSIDE will show up eventually on our OUTSIDE. I drifted into thinking about the prickly thorns on a cactus coming from the integrity of the cactus to produce those prickly thorns. Does a cactus have a thorny heart? What if the cactus was a man…would the hurtful thorns he spewed be evidence of an unsympathetic heart? A missing heart? Wouldn’t it be interesting to actually know where thoughts are drifting off to among the congregationalists at church, lol?!
I have heard that a great movie, an important book, a political strategy can come from notes jotted down on a napkin at lunch. Since strokes of ideas can come at unexpected moments, if not captured, the idea might disappear into the already flooded corridors of the brain, perhaps, to be lost. A popular place for me to have a “stroke of an idea” has been at church, sitting in the relative quiet and contemplating the cosmos. Being an artist those ideas have become scattered sketches, doodles, and drawings in my journals and engagement calendars. For years I have entertained turning those ideas into colorful visuals or stories. Last year I marked, copied, and gathered all those scattered visuals into a central binder. Then in July of 2013 I began to paint them. Because they are from my imagination the style approach is much more stylized than my regular approach to painting which is more to the impressionistic/realism side. As I painted I had such feelings of joy and peace that I knew I had stepped over the threshold of a door into full self-expression. The first one was “Holy Cow!”. The sketch was made in my journal on the day that I sold four paintings and found out I didn’t have cancer anymore. That became my annual “Yee-Haa!” Day, November 15. As others followed I needed a name for the series. “The Heart of the Conversation” was born from a conversation with my daughter, Katie, who gave me the name suggestion: “Missing The Heart of the Conversation” for the second one. How appropriate to these images which are a visual “play” on words. Visit my website http://dilleenmarsh.com/to see more of this series. Enjoy…as I am.
Supplies: 8 1/2 x 11 inch black cardstock, pastel, chalk, or prismacolor pencils, origami paper, tape, and glue.
1. Use the black cardstock as your base. Colors really “pop” on a black background. Cardstock is stiff enough to survive the art-making process and still be hangable on the refrigerator door.
2. Roll a piece of origami paper into a tube and tape it closed. If it is hard for some fingers to roll the paper, roll it around a pencil to help you get started. This tube of paper is the main “line” of your art.
3. Glue the tube of origami paper onto the black cardstock in the position you want it-straight, bent, or flattened. We just used simple Elmer’s glue. Glue sticks are not strong enough to hold the “line” to the cardstock.
4. Use pastel pencils, chalk, or prismacolor pencils to color in the rest of your design. (Markers will not show up on black very well.)
5. This project could be done on white paper with any art supplies you have on hand. The concept is to see how “line” is used in art and “What Does A Line Inspire?”