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WE THREE and art magic…

Barbara Summers Edwards, artist, in her Smithfield, Utah studio.

Barbara Summers Edwards, artist, in her Smithfield, Utah studio.

Roxane Mitchell Pfister, artist, in her Logan, Utah studio.

Roxane Mitchell Pfister, artist, in her Logan, Utah studio.

Dilleen Humphries Marsh, artist, in her Hurricane, Utah studio.

Dilleen Humphries Marsh, artist, in her Hurricane, Utah studio.

In May of this year a Canadian artist by the name of Robert Genn passed away from cancer. For decades he produced an art newsletter that could be freely accessed on the internet. He blessed the lives of thousands of artists with gathered and personally experienced…wisdom. This quote from him particularly spoke to my heart: “We live our short spans in the vortex of a miracle, and while we may not be the center of that vortex, it is magic to be anywhere in there.” From those first drawings in 8th grade to our three woman show in a gallery, WE THREE have been in the vortex of art. The center of that vortex has been friendship. And it is magic…

We Three update May 29 (to see the poster for our show).

WE THREE 3 woman show will run from June 13 to July 5, 2014 at Logan Fine Art Gallery, 100 North 60 West, Logan, Utah. Opening reception is June 13, 2014 from 6 to 9pm.


The Saga of WE THREE continues…

What influences what we become? Who do we travel with? How are we affected by what we see and experience? It is insightful for me, having arrived at my 60th decade, to have plenty of history behind me to look back on.

WE THREE started "retreating" south. In March of 1996 we drove to Moab, Utah. Thoughts of painting outdoors evaporated, however, at our first painting stop. It was really cold, foggy, windy...and then began to snow. Silly us, we thought going south in March would give us a jump on the painting season. I ended up painting a still life by lamp light in our hotel that night.

WE THREE started “retreating” south. In March of 1996 we drove to Moab, Utah. Thoughts of painting outdoors evaporated, however, at our first painting stop. It was really cold, foggy, windy…and then began to snow. Silly us, we thought going south in March would give us a jump on the painting season. I ended up painting a still life by lamp light in our hotel that night.

Not to be daunted, we tried it again the very next year in the same month, March. It was 1997 and this time the weather behaved. What is an "art retreat" without some exploring? We saw the sign for Delicate Arch and took a hike. Wondered why the crowd dispersed early around us and then realized that we had stayed too long at the arch and would have to hike back...in the dark. We are not seasoned mountaineers and I don't remember if we even had a flashlight with us, but this walk back became one of my cherished memories. The moon was full that night, the temperature perfect, and the comet Hale-Bopp could be easily seen with its distinct streaming "tail" with our natural eyes. Walking along in the moonlight conversing with friends...powerful poetry.

Not to be daunted, we tried it again the very next year in the same month, March. It was 1997 and this time the weather behaved. What is an “art retreat” without some exploring? We saw the sign for Delicate Arch and took a hike. Wondered why the crowd dispersed early around us and then realized that we had stayed too long at the arch and would have to hike back…in the dark. We are not seasoned mountaineers and I don’t remember if we even had a flashlight with us, but this walk back became one of my cherished memories. The moon was full that night, the temperature perfect, and the comet Hale-Bopp could be easily seen with its distinct streaming “tail” with our natural eyes. Walking along in the moonlight conversing with friends…powerful poetry.

In the fall of 2002 Rox and I zipped to Jackson Hole, Wyoming to be there when Barb received two major awards and $6000 for In 2002 Rox and I drove to Jackson Hole to witness Barb being honored with multiple awards at the Arts For The Parks competition that year. Barb was painting and getting in galleries, Rox was teaching math at a university and taking art workshops, and I was making a living as a magazine and children's book illustrator

In 2002 Rox and I drove to Jackson Hole to witness Barb being honored with multiple awards at the Arts For The Parks competition that year. Barb was painting and getting in galleries, Rox was teaching math and statistics at a university while taking art workshops, and I was making a living as a magazine and children’s book illustrator. Divergent roads.

In 2005 WE THREE traveled south again. Thinking we were being adventurous, we stayed a night in Mesquite, Nevada. After scoping out the casinos for something to paint...they don't have any chairs you can sit in to sketch the patrons from, we turned in for the night. Our room was on the ground floor and we didn't sleep, what with the all night drunken shouting and swearing and flashing police lights through our window! The next day we packed up and fled to St. George, a much calmer place conducive to painting. We set up in Snow Canyon and I began to really see the beauty of the desert cactus.

In 2005 WE THREE traveled south again. Thinking we were being adventurous, we stayed a night in Mesquite, Nevada. After scoping out the casinos for something to paint…they don’t even have chairs you can sit in to sketch the patrons from, we turned in for the night. Our room was on the ground floor and we didn’t sleep, what with the all night drunken shouting and swearing and flashing police lights through our window! The next day we packed up and fled to St. George, a much calmer place conducive to painting. We set up in Snow Canyon and I began to really see the beauty of the desert cactus.

WE THREE have a fondness for the artist, Maynard Dixon. On an excursion to the MOA (Museum Of Art) on the BYU campus in Provo, Utah, later that 2005 year, we paused at his "Forgotten Man" painting. Little did we know that Mr. Dixon would have a significant influence on our "retreating". Saga to be continued...

WE THREE have a fondness for the artist, Maynard Dixon. On an excursion to the MOA (Museum Of Art) on the BYU campus in Provo, Utah, later that 2005 year, we paused at his “Forgotten Man” painting. Little did we know that Mr. Dixon would have a significant influence on our “retreating”. Saga to be continued…

Now 16 days away from our “WE THREE”, three woman art show reception on June 13 in Logan, Utah, my “looking back on” continues…


WE THREE Retreating…

Then we began "retreating".

Our first WE THREE official retreat. 1988 at Teton National Park. We froze, we fried, we painted. The Grand Teton just would NOT sit still…clouds kept drifting in front, light was constantly changing, it was sunny, then it began to rain. Plein aire painting was still a new experience.

WE THREE: Barbara Edwards, Dilleen Marsh, and Roxane Pfister are three weeks away from our three woman art show at http://loganfineartgallery.com/. As I am “assembling and retrieving” art…I am thinking of “retreating”. Lol, not as in “escaping”, because I am thrilled and honored to show work with my dear friends. But in “remembering”. As I said before, WE THREE have gotten together more than 20 times over the years to RETREAT: a period of seclusion, esp. for spiritual and artistic renewal. Just wanted to share some of those memories…

 

July 1991 in Logan, Utah. I have paint on my mouth. Why does it sometimes look like artists are eating their paint or making comments like, "that color looks good enough to eat"...? (Actually, we DON'T eat our paint, very toxic, but we do get messy.)

July 1991 WE THREE got together in Logan, Utah. I have paint on my mouth. Why does it sometimes look like artists are eating their paint or making comments like, “that color looks good enough to eat”…? (Actually, we DON’T eat our paint, very toxic, but we do get messy.)

In July of 1991 WE THREE got together in Logan, Utah. By this time we all had children. Sometimes they came along.

Logan, Utah, July 1991, Barb and Rox. By this time we all had children. Sometimes they came along.

Yep. Sometimes the "kids" came along. This is 1993 on an art retreat at Barb and Glen Edwards' cabin in Star Valley, Wyoming. I am on the left and Rox, on the right, is holding her fourth and newest child, Devon.

Yep. Sometimes the “kids” came along. This is 1993 on an art retreat at Barb and Glen Edwards’ cabin in Star Valley, Wyoming. I am on the left and Rox, on the right, is holding her fourth and newest child, Devon.

But most of the time we left the children for a bit to concentrate on the painting. This "retreat" was in June of 1994.

But most of the time we left the children for a bit to concentrate on the painting. This “retreat” was in June of 1994.

WE THREE "retreated" to Barb's cabin several times in the 1990s. Fields of flowers, the comfortable warmth of a potbelly stove, and a short hop, skip, and jump from the art mecca, Jackson Hole. I am on the left and Barb is on the right.

WE THREE “retreated” to Barb’s cabin several times in the 1990s. Fields of flowers, the comfortable warmth of a potbelly stove, and a short hop, skip, and jump from the art mecca, Jackson Hole. I am on the left and Barb is on the right.


WE THREE Traveling The Art “Road Less Traveled”

WE THREE were part of five founding members of our high school art society. Circa 1968.

Roxane Mitchell (now Pfister), Barbara Summers (now Edwards), and me, Dilleen Humphries (now Marsh) in 1968. The beginning of a 46 year odyssey.

WE THREE artists began to cement our friendship in 8th grade. It was 1966. Congregating under the influence of our art teacher, Bob Whitney, in Ucon, Idaho, Barbara Summers, Roxane Mitchell, and me, Dilleen Humphries, took those first steps on an art trek together that has spanned 5 decades. In high school WE THREE were part of five founding members of Bonneville High School’s Art Society. Drawing and sculpting and only occasionally painting were our daily disciplines. We were well versed on the life of Michaelangelo. Unusual and fortunate for a high school art experience. Then college. Rox took off to Ricks College in Rexburg, Idaho. Barb and I settled at USU in Logan, Utah in the fall of 1969. Two years later Rox joined us at USU. Under the tutelage of Glen Edwards and Jon Anderson we began to paint. At first it was in acrylics…then occasionally oils. In 1974 Rox and I drove off (actually, my sister, Deon, was driving-it was her car) across the southwest desert to the “art” gold of California. We were going to be famous illustrators! Barb married our USU teacher, Glen. Years, marriage, and children later WE THREE are now all living in Utah. After high school and college how do you stay in touch with your friends? Remember, this is way before FACEBOOK or even the internet. We’d occasionally get together, drop in for a visit, pair up and do a workshop, or go plein aire painting… and then we began “retreating”. RETREAT: a period of seclusion, esp. for spiritual (and artistic) renewal. Our first ALL THREE retreat was in 1988. We went to the Teton mountain range to paint. Since then we have “retreated” about 20 times. Logan Fine Art Gallery has extended an invitation to WE THREE to exhibit as a three woman show in June 2014. What is the value of traveling the art “road less traveled” with friends? We could give you an earful…”


3 Woman Show at Logan Fine Art

Katie stopped by the reception after work and added sparkle . . . as well as loving support. There were other notables there that night: Jon and Judy Anderson (Jon was my design professor at USU. A significant mentor in my life) and two artists I admire, Brad and Debra Teare. Roxane's son, Ryan, popped in to see what his mom has been up to. Kristie Grussendorf, a fabulous watercolorist and good friend graced us with her presence, coming directly from a long painting workshop day. Even a bygone roommate from my student days at USU, Dana, showed up with her husband. So many years and so much life since college.

Katie stopped by the reception after work and added sparkle . . . as well as loving support. There were other notables there that night: Jon and Judy Anderson (Jon was my design professor at USU. A significant mentor in my life) and two artists I admire, Brad and Debra Teare. Roxane’s son, Ryan, popped in to see what his mom has been up to. Kristie Grussendorf, a fabulous watercolorist and good friend graced us with her presence, coming directly from a long painting workshop day. Even a bygone roommate from my student days at USU, Dana, showed up with her husband. So many years and so much life since college.

One of the pleasurable parts of the evening was having guests point out their favorite "Roxane" painting. This is Barb Edwards on the left and Katie Marsh on the right. Stiff competition for "Vanna White"!

One of the pleasurable parts of the evening was having guests point out their favorite “Roxane” painting. This is Barb Edwards on the left and Katie Marsh on the right. Stiff competition for “Vanna White”!

Me and Susette standing by one of MY self-expressed landscape paintings.

Me and Susette standing by one of MY self-expressed landscape paintings.

See?! Like I said, a bundle of energy! This is Susette in front of one of her very self expressed floral paintings.

See?! Like I said, a bundle of energy! This is Susette in front of one of her very self expressed floral paintings.

One of the ten posters we placed around town. Katie's reflection is seen in the window. Nice design on the poster by staff at Logan Fine Art.

One of the ten posters we placed around town. Katie’s reflection is seen in the window. Nice design on the poster by staff at Logan Fine Art.

Today is the last day of a 3 woman art show at Logan Fine Art in Logan, Utah. I had the privilege of exhibiting my work with the work of Roxane Pfister and Susette Gerstch. On the 10th of July, a Wednesday, I loaded up our little car with 19 paintings and 18 illustrations and headed north from Hurricane to Logan. Along the way I picked up a painting that had been in the Springville Spring Salon this year and I was packin’ art supplies for an illustration job that needed to be completed by Monday. There wasn’t room for a hitch-hikin’ chipmunk to join me on that drive. However, Jeffrey Archer/Clifton Chronicles entertained me on audio book all the way.

On the 12th, my fabulous daughter, Katie Marsh, assisted me in placing flyers and posters of the 3 woman show around town with the hope that the Utah Opera Festival crowd might be enrolled in taking a peek at our art. I think I only had courage to hand out flyers to groups of smartly dressed women and say “Go Girls!” because of my stage actress daughter’s backup.

That night, at our opening reception, I had the pleasure of showing off my friend, Roxane’s, new technique with a palette knife to attendees. Roxane, meanwhile, was winging her way to China with her scientist husband, Jim. I did not know Susette before that evening although I had admired some of her paintings. Happy to find out she was a very pleasant, intelligent bundle of energy, easy to get along with.

Julie (Logan Fine Art staff and enthusiastic support), Katie (the fabulous daughter), Glen (my USU illustration professor and mentor friend), and Barb (art buddy forever) at the table display of my illustrations.

Julie (Logan Fine Art staff and enthusiastic support), Katie (the fabulous daughter), Glen (my USU illustration professor and mentor friend), and Barb (art buddy forever) at the table display of my illustrations.


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Deadline: the latest time by which something must be done. June was a deadline month leading up to a 3 Woman Art Show at the Logan Fine Art Gallery. This painting:”Any Dream Will Do (The technicolor dream cape)” is a 24 x 36 inch oil that took up a chunk of the month.

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