“What Does A Line Inspire” Instructions
Supplies: 8 1/2 x 11 inch black cardstock, pastel, chalk, or prismacolor pencils, origami paper, tape, and glue.
1. Use the black cardstock as your base. Colors really “pop” on a black background. Cardstock is stiff enough to survive the art-making process and still be hangable on the refrigerator door.
2. Roll a piece of origami paper into a tube and tape it closed. If it is hard for some fingers to roll the paper, roll it around a pencil to help you get started. This tube of paper is the main “line” of your art.
3. Glue the tube of origami paper onto the black cardstock in the position you want it-straight, bent, or flattened. We just used simple Elmer’s glue. Glue sticks are not strong enough to hold the “line” to the cardstock.
4. Use pastel pencils, chalk, or prismacolor pencils to color in the rest of your design. (Markers will not show up on black very well.)
5. This project could be done on white paper with any art supplies you have on hand. The concept is to see how “line” is used in art and “What Does A Line Inspire?”
This was a demonstration I did of bending the “line”. Inspired me to use it as a nose in a face.
What Does A Line Inspire?!
The textures of the butterflies’ wings are pastel pencil, prismacolor pencil, and chalk on black cardstock paper.
These children saw a tree trunk in their “line”.
Another butterfly!
This was a demonstration I did of bending the “line”. Inspired me to use it as a nose in a face.
Pushing The Envelope: What Does It Take To Do That?
What do I really, really love? Halloween! Fairy tales! Every October, as I was growing up, my dad decorated for Halloween with enthusiasm. Coming from a farm background where harvest time holds a nostalgic and small town Sleepy Hollow place in my heart the make-over of Driz was pure pleasure. The re-do of Siz came from that book of fairy tales I read every morning while eating breakfast before school, compliments of my mother making sure we had books in the house. Fairy princess and zombie vampire – so much more interesting! Then I sat down to edit my stories and found that my “new and improved” characters lent themselves to WAY more interesting story lines. A whole new world and definitely more work just opened up!
Pushing The Envelope: What Does It Take To Do That?
In February of this year I shared with you my sketches for two characters I am writing children’s book stories about: Driz and Siz. I was happy with my little “cute” girls and merrily sent sketches and manuscripts out to agents. No takers. Time passes. One day, surfing around on the internet I went to a site hosted by Will Terry, children’s book illustrator, who generously shares his experience and wisdom.http://willterry.com/ Here’s a quote from that insightful moment: “The internet ignores mediocrity. It ignores good. It ignores really likeable. It only celebrates excellent or great. You have to be willing to sacrifice and be great. You have to figure out what you want to do to be great. It can’t be forced. Do what you really, really love. Once you find that – don’t look back.” I looked at my “cute” characters and saw “likeability”. Aaargh! Considered two questions: What do I really, really love? What is holding me back?
An inexpensive and creative children’s art project! Or for you moms and grandmas out there, an activity that is “Creative Simplicity Itself”.
On my way back from the 3 Woman Show in Logan I had the great privilege of spending a few hours with my grandson, Jayson, and his brother, William. I love these two little guys and am grateful to their mom and grandma, Melissa, for their generosity in arranging for this time. We played treasure hunt, hide and seek, Sorry (the board game), caught up on their latest karate moves and ate from a vending machine… Then William asked, “Are we going to do an art project?” I was in the middle of explaining that I hadn’t brought my “craft/art box” with me when this idea popped into my head (I am sure I got this from some other creative person somewhere). Following are the instructions for “Creative Simplicity Itself”.
1. A piece of 8 1/2 x 11 inch white printer paper for each person participating.
2. A color for each person. We chose a crayon each because they had crayons handy. Markers, pencils, paints or any other way to use color would also work.
3. Each person starts a drawing of anything with their color. We set a time limit of a few minutes to work on it and then said “Stop!”
4. Before passing your paper-with-started-drawing onto the person sitting next to you, you write a word (any word) at the top of the page.
5. The next person uses their color to add to the drawing you started. With a time limit. Also adding a word (any word) to the top of the page.
6. Keep rotating papers around the table until all have added to the drawings with their colors and words.
7. Then it is story time! Each person tells a story about the art work on the paper in front of them using all the words written at the top of the page.
I was really impressed by the creative stories that William, the 8 year old came up with. Even Jayson, 5, got into the swing of it, if mostly to use the drawing as a mask, lol.
William, Jayson, and Grandma Melissa at the Sorry board. How does that game live on and on?! I remember playing Sorry with my dad and sisters at Christmas. Lots of fun.
The work of “Creative Simplicity Itself” begins. Each has a piece of paper and a crayon color. The timer is set and off we go!
Yes, the final art could be used as a mask. Jayson is modelling the possibilities!
Jayson, 5, and William, 8. Adorable, precious, creative, genius, sweet, fun . . . do I sound like a grandma?!
3 Woman Show at Logan Fine Art
Katie stopped by the reception after work and added sparkle . . . as well as loving support. There were other notables there that night: Jon and Judy Anderson (Jon was my design professor at USU. A significant mentor in my life) and two artists I admire, Brad and Debra Teare. Roxane’s son, Ryan, popped in to see what his mom has been up to. Kristie Grussendorf, a fabulous watercolorist and good friend graced us with her presence, coming directly from a long painting workshop day. Even a bygone roommate from my student days at USU, Dana, showed up with her husband. So many years and so much life since college.
One of the pleasurable parts of the evening was having guests point out their favorite “Roxane” painting. This is Barb Edwards on the left and Katie Marsh on the right. Stiff competition for “Vanna White”!
Me and Susette standing by one of MY self-expressed landscape paintings.
See?! Like I said, a bundle of energy! This is Susette in front of one of her very self expressed floral paintings.
One of the ten posters we placed around town. Katie’s reflection is seen in the window. Nice design on the poster by staff at Logan Fine Art.
On the 12th, my fabulous daughter, Katie Marsh, assisted me in placing flyers and posters of the 3 woman show around town with the hope that the Utah Opera Festival crowd might be enrolled in taking a peek at our art. I think I only had courage to hand out flyers to groups of smartly dressed women and say “Go Girls!” because of my stage actress daughter’s backup.
That night, at our opening reception, I had the pleasure of showing off my friend, Roxane’s, new technique with a palette knife to attendees. Roxane, meanwhile, was winging her way to China with her scientist husband, Jim. I did not know Susette before that evening although I had admired some of her paintings. Happy to find out she was a very pleasant, intelligent bundle of energy, easy to get along with.
Julie (Logan Fine Art staff and enthusiastic support), Katie (the fabulous daughter), Glen (my USU illustration professor and mentor friend), and Barb (art buddy forever) at the table display of my illustrations.
Art Adventure: Dixon #6 Part V
Rox and I went plein airing while Barb (clever girl) stayed in the studio to paint. We discovered the engaging snake gesture of the Sevier River (attached painting), the prevalence of animals around us (dying chipmunk by the kitchen door, chipmunks and blue jays eating cornmeal puffs out of Rox’s hand, baby buffalo romping with a herd, a bounding deer, and dead deer by the side of the road). We also discovered, or were reminded, of the intensifying heat. We drained ourselves painting in the sun. Being engulfed by the concentration of painting, the heat can sneak up on you and not be noticed until you start putting your paints away. Then you become conscious to the fact that it takes all you have to walk back up a hill toting your supplies and sitting down in the car with the air conditioning on is paradise.
We ended our week with a couple of trips to nearby Panguitch and their Hot Air Balloon Rally. In the day the balloons hang from the sky silent and ethereal, like dew drops. At night, in the propane glow, balloon colors intensify and interesting crowds of people swarm through the streets. We three have taken on the project to paint a hot air balloon painting each by next year’s Dixon #7. Remember girls?! All there is . . .
is The Work!
Art Adventure: Dixon #6 Part IV
Finally, after 5 years of saying I’d like to try it I did a “night” painting. From 10-12midnight I stood under a yard light and painted the attached study of a shed on the site. There is a floodlight on the corner of the shed that gave some illumination to the scene. It was in front of this shed on the gravel driveway under the shade of this big tree that Maynard Dixon painted some of his later year paintings. The temperature was perfect and the light never changed. Couldn’t tell what my colors looked like so depended on a study of values. At first when I would hear a twig snap behind me I was startled into fantasies about what could be creeping up behind me. But interestingly enough, the night time traffic on a nearby road began to be a comforting rhythm to me. Like waves in the ocean.
Susan Bingham painted some great florals from life at the studio with us. One day we were talking about her grand vision for the Maynard Dixon site and I suggested that she come up with some good ghost stories in its background to draw visitors. She replied, “As a matter of fact . . .” She showed us a stone Maynard had begun carving as his headstone. He had carved “MD HIS PLACE” on it. You could only see “MD”. Most of “HIS PLACE” was buried in the dirt. The next day or two, at Barb’s suggestion, we dug out the rest of the stone and provided another tourist attraction at the site. Attached photo shows Susan, me, and Barb at the stone.
Art Adventure: Dixon #6 Part III
The beginning of the week at Mt. Carmel was a pleasant temperature. But about Wednesday afternoon the heat began to descend. At one moment while all three of us were painting in the Maynard Dixon studio one of us spoke up and observed:” I don’t know if I am having a hot flash or it’s just warm in here!” This is a sketch of a cow’s skull hanging in the studio and these are photos of Barb and Roxane working in the studio. My work station shows a blue cloud formation on the painting to the left. Thank heavens the nights were cool.
Art Adventure Dixon #6 Part II
I sat by an irrigation ditch on the Dixon home site and sketched while listening to the slow gurgle of the water. When I woke up this morning into my head had poured a possible story line for a children’s book I have been working on. Funny how flashes of insight come unexpectedly. Sitting by the ditch reminded me of my early days on a farm. Playing with my sisters and friends in the local irrigation ditch. While I was sitting there I sent my sister, Deon, a text to follow through with a weekly call we have. (It had to be text because my phone wasn’t getting reception in Mt. Carmel.) Her reply text said: “Let’s you and me meet up by a stream of water under a tree and sip some tea and talk about life under the moon.” She did not know I was sitting by a stream sipping my herbal concentrate, always contemplating life, albeit under the sun, lol.
Art Adventures: Dixon #6
Each year for the last six years I have journeyed with art buddies, Roxane Pfister and Barbara Edwards to Mt. Carmel, Utah for a week’s art retreat at Maynard Dixon’s home site. This year we went for the last week of June. Rox, Barb, and I have wandered in the world of art together since middle school. It is a precious long term friendship that has only deepened over the years. Paul and Susan Bingham, owners of the Dixon site and an accompanying prestigious art gallery have been very generous in providing this art opportunity for us and others. Even as I am writing this I am struck by my good fortune to have dear friends that I can share my passion for art and life experiences with, paint and draw to my heart’s content, adventure in the semi-wilds, laugh a lot, be under the influence of the ghost of Maynard Dixon, and be inspired by the quality art of the Bingham gallery. Following are bits and pieces from the week. This first sketch is of Diana’s throne. Waking up with a full bladder, hunger pangs, and the anxiety of making a living with my art, I climbed the 4 minute hike to an overlook that inspired Maynard Dixon. Sitting on a rock in the early morning quiet, amazed at the enduring magnificence of the landscape, the anxiety took a backseat and I started the day’s “work”.
“Favor Them, O Lord, With Happiness And Peace” is the title of this painting. This is part of a series of paintings I am doing of kids in the desert. And in the desert, with no buildings or trees in the way, the clouds seem especially amazing.
“All The World’s A Stage” is a painting I had been working on before June. It was inspired by the theatre arts close to where I live in southern Utah: Tuacahn Renaissance and Cedar City Shakespeare. In June I tweaked and revamped a few things, always working toward a better quality painting.
“Stable Ghost”. On a more serious note with animals, I strolled past the stables after a local horse race. The haystack was a beautiful blend of shadow and varied color hay grasses. The stable window was empty and intriguingly dark. I was pleased to get a photo of this horse, resting after the race, a few windows down.
“More?!” Hey, all show paintings don’t have to be beautiful or thought provoking. Some can be just fun. These pigs posed for me at a backyard farm in Rockville, Utah. Just like us humans, always looking for something more!
Deadline: the latest time by which something must be done. June was a deadline month leading up to a 3 Woman Art Show at the Logan Fine Art Gallery. This painting:”Any Dream Will Do (The technicolor dream cape)” is a 24 x 36 inch oil that took up a chunk of the month.
Rework! Rework! Rework!
Is an artist’s or a writer’s “work” ever really complete?! I heard a story once that the famous impressionist painter, Edgar Degas, stealthily climbed in the window of a patron that had bought one of his pieces to repaint the parts of the painting he just couldn’t live with. Maybe urban legend. However, as I took the coaching of that first rejection and looked again at my stories I began to see through a different filter. Just as an example I am posting the “before and after” of the ending to my story: “Around The Corner”. The bottom sketch shows the balloon lazily drifting to join a party of balloons in the land where lost balloons go. A very anti-climax kind of ending. This is the BEFORE. The top sketch is the REWORK and shows the balloon having a very different kind of adventure . . . with a little humor. This is the AFTER. MUCH more interesting! Well, reworked the whole story with new energy and yesterday, May 8, I pushed the “send” button two more times. Sent this story to TWO more possible literary agents. The line: “You have to do the work to do the work!” keeps running through my mind. A BIG thank you to my husband, Mike; my daughter, Katie; and various encouraging art friends. I am on a roll.
My first REJECTION in finding an agent for my author/illustrator life!
On the 19th of February, after the cat and tears drama previously reported, I pushed the first “send” button to electronically submit three of my stories to the first agency I applied to for representation. Since they indicated a 30 DAY response time, I, of course, anxiously checked my emails daily and boldly (or desperately) emailed the question to the agency: “Did you receive my submissions?” on the 26th DAY. Within a couple of hours I got an apologetic response of “we have no record of your submission”. Good thing I asked! The agent was very courteous, gave me a direct email to send my stuff to and answered me within 6 days with my first REJECTION!! Yay! I am on my way! Actually he was kind and gave me some instructive observations about my work. Then he added: “thx for submitting. i enjoyed these more than most.” (The world of email punctuation.) A little encouragement is fuel-to-the-fire. Back to the drawing and thinking boards I went.
An interesting illustration job about corrupt communication. Hot off the art table. Oil and collage. What we say can tear down or build “float” us up. And then there is cyber-bullying.
The Greek root for the word sarcasm is sarkazein and means “to tear flesh like dogs”. Ouch.
Siz and Driz and the publishing world.
This is my first “fully-operational” illustration for the Siz and Driz storybook, “Around The Corner”. Look out for flarbs and snarbs. I submitted this and my stories to an agency on February 16 of this year. I haven’t heard back. On March 17, if I haven’t heard anything by then, I will hit the trail again, submitting the world of Siz and Driz to another agency. They will not go quietly into the night! They will live on! (movie buff).
The other one that sold as well as being awarded an honorable mention.
This was the other painting that sold at the Dixie Sears Gallery Invitational. And surprise: it was awarded an honorable mention as well. Too much fun! This one is a 12 x 16 inch oil on board titled, “At 5:14pm The Autumn Geysers Erupted”.
Sold both of my paintings at the Dixie Sears Gallery Invitational. Just sharing the joy.
This painting sold at the Dixie Sears Gallery Invitational. It is titled, “Abundance”. It is a 24 x 18 inch oil on board. Yaa-hoo!
Continuing to pursue the dream of publishing as an author/illustrator! Introducing Driz and Siz, little starlets of stories, “Around The Corner” and “It Is What It Is”.
Today, with trepidation and relief I clicked the “submit” button on my story submissions to a literary agency in New York. I am pursuing the process of getting an agent to represent me as an author/illustrator. It has been a year since I sent three publishers a rough outline of one of my stories, “Nightmare Roundup”. I never heard back from any of them. I am wiser and my stories are more refined this time around. I will start with finding an agent. I am reminded of a clever dialog that passed between Buffy the Vampire Slayer and her friend, Willow: “How do you get to be RENOWNED? I mean, like, do you have to be NOWNED first?” -Buffy. “Yes. First there’s the painful NOWNING process.” -Willow. It WAS painful. After the writing, rewriting, rewriting, rewriting . . . and drawing, redrawing, redrawing . . . I thought I had all that I needed to submit my stories. Sat down to submit my stories online and remembered to make a copy to mail to myself for copyright purposes. Copied and packaged stories and sketches. Drove to post office and discovered I was 14 minutes past their closing time. Went back to the computer to attempt submitting again. Carefully worded and filled out the electronic form to the point of submitting when our cat, Frankie, chose that moment to jump up on the computer keyboard and erase all my work. I burst into tears. Composed myself and started again. Pushed the submit button and got an air message that said my 8000KB file was too big for their requested 800KB attachment size. Was really bummed. I am not so computer literate that I could fix that on my own. That was Saturday night. Was inspired Sunday in church with this line from a speaker: “Recognizing something’s potential and not giving up on it.” Monday I got help from a very generous Alphagraphics computer tech, Kathy, who reduced the sizes of my attachments. Have spent the day, today, Tuesday, submitting three stories for consideration. Now the waiting. I feel peaceful. God called and I have just been picking up the phone . . . pursuing the inspiration of these stories and the desire to be published as an author/illustrator.
Fearfully cautious Driz and bubbling blissful Siz. Seven year old sisters adventuring around corners and across playgrounds.
Directions for Creating a Possibility Poster
Choosing a colorful background.
Doing the poster work.
Katie’s eyes and gold pencil charts.
Katie and I invited our next door neighbor, AJ Hurst, to join us in creating these posters for the new year. Therefore, these 2013 posters were produced by a 15, 22, and 60 year old. These can be an art project with any age. I think even younger children would enjoy creating a visual of their hopes, dreams, and possibilities for the new year.
1. Take some time to write down your 2013 possibilities. What projects, intentions, goals, etc. do you have for the new year? Really throw your hat over the wall and write down those things that are always nagging the back of your mind but never get handled. This could be the year!
2. Pick a poster size and color. Our posters were 13 1/2 x 21 inches on colorful art paper. You could use white poster board, but, a bright color background seems to get the art juices rolling.
3. We took a photo of each other with a digital camera. Could have been with our phones. Transferred the photos to the computer and printed out a black and white copy to paste onto our posters. Last year my poster had a color photo of me. This year a black and white allowed me to do some creative coloring. Putting your face into your 2013 possibilities is a great place to start the planning from. After all, this is a visual of your intentions. I put my face upside down, Katie used just her eyes, and AJ not only used her head but several little full figures in various poses of herself.
4. Materials: photo copies, magazines, color cardstock, markers, color pencils, scissors, glue. I’m sure that 3-D items would work too. Whatever you wanted to put into your collage. The collage items will represent your goals, thoughts, themes for the year. I picked an overriding thought from the musical, “Les Miserables”, to headline my year: To love another person is to see the face of God. There are also “charts” on my poster that I can mark off as I accomplish them. My column of “the unexpected” is my longest column. The poster will also become a history of 2013.
5. Hang the completed poster in a place that will keep it ever present!
dilleenmarshwomanartistrenaissance 