The Art of a Graphic Novel
It started with a phone call. A woman’s Hungarian accented voice said, “I have looked at your Instagram account and I like the spirit of your sketches. Would you be interested in doing a graphic novel of my story?” That is the gist of her request somewhere in 2017. Having never done a graphic novel before, but having a background in magazine design, I said, “send me your story and I’ll take a look at it.” When we look back over our lives I’m guessing that you, like I, wonder at the crossroads that send us off into unknown directions–hence, ‘roads less traveled’. After reading her story I said, “yes,” and entered the world of World War II and the Holocaust. Not a pleasant place to be, but I was attracted to the author’s purpose in educating others about the devastating consequences of hate and prejudice. In April of 2023 “Hidden” a true story by Kati Preston and illustrated by Dilleen Marsh was published. In 2024 “Hidden” was selected for The Children’s Book Council’s Best of Lists for Teachers and Librarians. There’s something very satisfying about being part of a ‘good purpose’.
The Process. Where to begin?
DOODLE!!! Actually these little sketches are called thumbnails–because of their size. They range in size from 1 to 1 1/2 inches per page. The small size gave me a useful overview of visual ‘pacing’ in the story. Like a camera zooming in and out, placing small images and large images in an arrangement to keep the reader engaged.
The author, Kati Preston, had some surviving photos to work from.
Thank goodness for the internet! Recreating scenes from World War II, the Holocaust, and Hungary in the 1940s would have required a library of books without it. Searching for specific scenes was made much simpler by asking my search engine detailed questions. I did a lot of printing of photos to draw from. AND I drew resources from my own photos and the generosity of family and friends modeling scenes for me.
Then full-size sketches on tracing paper–making it easier for adjustments along the way. How do you lay all the sketches out to see where you’re going? Paper clip the drawings to window blinds, of course!
Yes, artists can work in unusual spaces. One day my very perceptive husband walked by my sketches and suggested I intersperse the pen and ink drawings with some oil painting. Brilliant! I will always be grateful for his suggestion. The final art-work began. I stretched drawing paper on a drawing board and gessoed the parts that I would be oil painting on. The rest of the surface was left for sketching with Pigma Micron black ink pens. To add color to the pen and ink I used Prismacolor pencils over the ink.
It took about 4 1\2 years to accomplish the 90+ pages of art for the graphic novel, Hidden. The covid-pandemic of late 2019 through mid 2022 gave me plenty of seclusion to finish this work. Consider these two quotes: “I’m, I’m simply saying that life, uh…finds a way,” said Dr. Ian Malcolm in the movie, Jurassic Park. “Life breaks free. Life expands to new territories. Painfully, perhaps even dangerously. But life finds a way,” said Michael Crichton in the book, Jurassic Park. And I found a way to be part of this worthy project!
WE THREE Traveling The Art “Road Less Traveled”
Roxane Mitchell (now Pfister), Barbara Summers (now Edwards), and me, Dilleen Humphries (now Marsh) in 1968. The beginning of a 46 year odyssey.
WE THREE artists began to cement our friendship in 8th grade. It was 1966. Congregating under the influence of our art teacher, Bob Whitney, in Ucon, Idaho, Barbara Summers, Roxane Mitchell, and me, Dilleen Humphries, took those first steps on an art trek together that has spanned 5 decades. In high school WE THREE were part of five founding members of Bonneville High School’s Art Society. Drawing and sculpting and only occasionally painting were our daily disciplines. We were well versed on the life of Michaelangelo. Unusual and fortunate for a high school art experience. Then college. Rox took off to Ricks College in Rexburg, Idaho. Barb and I settled at USU in Logan, Utah in the fall of 1969. Two years later Rox joined us at USU. Under the tutelage of Glen Edwards and Jon Anderson we began to paint. At first it was in acrylics…then occasionally oils. In 1974 Rox and I drove off (actually, my sister, Deon, was driving-it was her car) across the southwest desert to the “art” gold of California. We were going to be famous illustrators! Barb married our USU teacher, Glen. Years, marriage, and children later WE THREE are now all living in Utah. After high school and college how do you stay in touch with your friends? Remember, this is way before FACEBOOK or even the internet. We’d occasionally get together, drop in for a visit, pair up and do a workshop, or go plein aire painting… and then we began “retreating”. RETREAT: a period of seclusion, esp. for spiritual (and artistic) renewal. Our first ALL THREE retreat was in 1988. We went to the Teton mountain range to paint. Since then we have “retreated” about 20 times. Logan Fine Art Gallery has extended an invitation to WE THREE to exhibit as a three woman show in June 2014. What is the value of traveling the art “road less traveled” with friends? We could give you an earful…”
What Does A Line Inspire?!
The textures of the butterflies’ wings are pastel pencil, prismacolor pencil, and chalk on black cardstock paper.
These children saw a tree trunk in their “line”.
Another butterfly!
This was a demonstration I did of bending the “line”. Inspired me to use it as a nose in a face.
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